(1998, Skopje) | Based in Ghent, Belgium
Her practice researches spirituality, identity and community in contemporary society through a queer & feminist lens. Within the world building that finds place in her practice, deeply inspired by nature, she speculates possible scenarios where technology and spirituality form a collaborative platform for healing and repair. Recognising spirituality as multifaceted and complex, she aims to shape possible scenarios that offer insight into how we can contribute to a better future while preserving awareness and acknowledgment of all interdependence.
Currently pursuing her master's degree in Fine Arts at KASK & Conservatorium in Ghent, Belgium.
CV
(1998, Skopje) | Based in Ghent, Belgium
Her practice researches spirituality, identity and community in contemporary society through a queer & feminist lens. Within the world building that finds place in her practice, deeply inspired by nature, she speculates possible scenarios where technology and spirituality form a collaborative platform for healing and repair. Recognising spirituality as multifaceted and complex, she aims to shape possible scenarios that offer insight into how we can contribute to a better future while preserving awareness and acknowledgment of all interdependence.
Currently pursuing her master's degree in Fine Arts at KASK & Conservatorium in Ghent, Belgium.
CV
Transcendental Sympathy / Tales of the Soil publication is available to buy at BYOB art fair at ENTER ENTER in Amsterdam 15 Sep - 15 Oct ☆
To own your own joy
Text by Sjoerd Beijers
(...”A mysterious white figure stares into a mirror. Sharp white fangs, clinging around a poem. A tail—reminiscent of that of a horse—wagging slowly, as they delicately step throughout the space.
In the performance To Own Your Joy, Natalija Gucheva recites a self-written poem, accompanied by the sound of Benjamin Schoones. In an altered—deeply harmonised—voice their words sharply fill the room:
“As the oyster opens
Soft liquid oozes and drips on your legs
Coding different systems of pleasure”
In their writing, Natalija found inspiration in Goblin Market by Christina Rossetti. The Victorian poem explores themes of temptation and sisterhood. The relationship between its two main characters is interpreted as same-sex desire and becomes fertile soil for their own expression to spring from. They expand upon this, voicing their personal truth on gender and sexuality, and the freedom entailed within. Being confronted with the pressure to conform to heteronormative societal norms is a daily practice for queer individuals, to which the artist finds an escape, even if it is temporary. Weaving together garments—by Alexis Gerlach and Aidan Abnet—Natalija searches for identity. A tail, claws, horns. Animalistic elements in their costume can be perceived as a symbol of the constant mutation and code-switching that queer individuals go through. Yet at the same time, they might resemble the monstrosity that society perceives them as. However, as powerfully demonstrated in the performance, these can also be claimed and used as a means to voice anger. To fight back:
“To claw out of our monstrous bodies
Burn the cocoon and lick the ashes
Spit in the face of terror
As a final lullaby”
In a similar notion to the original poem by Rossetti, the norms of the venue become subverted. Natalija’s personal truth on gender and sexuality momentarily intruded the space, as a loud scream unleashes:
“I OWN MY OWN JOY”
Performed by
Myself
Music Production
Benjamin Schoones
Costume Design
Alexis Gerlach & Aidan Abnet
Photography credits go to Johan Poezevara
The full poem can be found here
