Her visual practice explores the intersection of social politics and emotional embodiment, examining how personal experience shapes collective narratives through the integration of feminist and queer care practices. Her creative process involves constructing speculative environments where communal bonding contributes to a sustained healing journey, acknowledging the connection and interdependence between communities and their non-human fellows.

Her curatorial practice shares the view through this holistic lens, in which she organises gatherings, including workshops, reading groups and material exchanges that revolve on different contemporary urgencies, in the framework of her ongoing project ‘The Kinship Cookbook’. These events are designed to initiate a sense of collective care and provide a platform for envisioning alternative futures.

Currently a part of the postgraduate program Curatorial Studies at KASK & Conservatorium in Ghent, Belgium.

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Her visual practice explores the intersection of social politics and emotional embodiment, examining how personal experience shapes collective narratives through the integration of feminist and queer care practices. Her creative process involves constructing speculative environments where communal bonding contributes to a sustained healing journey, acknowledging the connection and interdependence between communities and their non-human fellows.

Her curatorial practice shares the view through this holistic lens, in which she organises gatherings, including workshops, reading groups and material exchanges that revolve on different contemporary urgencies, in the framework of her ongoing project ‘The Kinship Cookbook’. These events are designed to initiate a sense of collective care and provide a platform for envisioning alternative futures.

Currently a part of the postgraduate program Curatorial Studies at KASK & Conservatorium in Ghent, Belgium.

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Email
CV

Salad Days #4


Salad Days refers to the days full of innocence and fun of our youth. It can also refer to the peak of one's ability. The term comes from Shakespeare's play Antony and Cleopatra, first act, scene 5, where Cleopatra says: ‘My salad days, When I was green in judgment, cold in blood, To say as I said then!’

Design Museum Ghent once again presents graduation projects by students from KASK & Conservatory and LUCA School of Arts Ghent. In DING Vitrine, you will discover a magically strange mix of a falling astronaut, a queer kinship cooking video, an emotional AI analysis of objects, a braided kanekalon curtain, a leporello with (un)fallen women, pixelated memories of Afghan refugees, a steel lamp inspired by Venetian sandwiches and an organically changing felt carpet.

Participating artists
Sam Evers
Marthe Huyse
Louise Versele
Sara Boumkwo
Fatemeh Khezri
Hazel Ver Moesen
Stefanie Salzmann
& myself

Photography credits go to Anthony De Meyere