(1998, Skopje) | Based in Ghent, Belgium
                                   
Her practice encapsulates a variety of mediums through which she researches possible implementation of feminist care practices through evoking a dialogue between material, writing, hosting and the audience. Within the world building that finds place in her practice, she speculates possible scenarios in which togetherness can build a long-term healing process in recognition of interdependence between communities and non-human companions.

Currently pursuing her master's degree in Fine Arts at KASK & Conservatorium in Ghent, Belgium.

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(1998, Skopje) | Based in Ghent, Belgium
                                   
Her practice encapsulates a variety of mediums through which she researches possible implementation of feminist care practices through evoking a dialogue between material, writing, hosting and the audience. Within the world building that finds place in her practice, she speculates possible scenarios in which togetherness can build a long-term healing process in recognition of interdependence between communities and non-human companions.

Currently pursuing her master's degree in Fine Arts at KASK & Conservatorium in Ghent, Belgium.

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Email
CV

(re)birth / you melt my heart


We live in a constant cycle of destruction and rejuvenation. The Earth is changing. We are changing. How will a potential post-human life evolve and shape new visions of the world?

Four Fine Art students from the HKU (NL) and KASK (BE) explore these questions and reimagine them in a site specific installation here at the ExBunker. New ground is given for nature to start sprouting again and artefacts from a lost past will emerge, intertwined with contemporary and past habits. The Bunker is transformed into a space of potential life that will survive even in an apocalyptic scenario, similar to the Svalbard Global Seed Centre in Norway, harbouring its seeds and giving them the opportunity to flourish again, giving rise to a new landscape that goes beyond the known geographical and social boundaries. The installation comes to life, grows and reveals traces of a long gone past, frozen in time, conjuring a speculative reality that is not far from the truth.

“...The objects, each possessing a mystery, can take on the roll of a relic of time. Past, present and future blend in the divergent shapes, and create new archives - ones that exist within our perception, and weave a portal to another realm. They generate a place of transition, of wild growth and new breeding grounds. Experimental labs, where organisms and ideas have the luxury of being hidden. It is a place where our imagination can mutate, expand, shape, a new layer of reality - one that can merge worlds. We think of the dance of the nymphs, satyrs and water sprites in the muddy water, embracing the diversity of nature, and protecting the sacred habitat of shadows. We think of the (re)birth of a new-age habitat, a space where spirits collide. The amulets, oracles and vessels exhibited, entail a new energy, a contemporary homage to a lost past, with the ability to fertilise new grounds for a new dance - one in alliance with the past, and speculative of new beginnings.”

Groupshow by 
Junhao Xiang
Katharina Busl
Vincent Entekhabi 
& myself

Photography credits go to Vincent Entekhabi